The Tesla Award for Visionary Achievement in Filmmaking Technology was created to shine a spotlight on pioneers in the industry who not only have an impact on their peers, but whose life’s work will influence future generations and give rise to further innovation.
Neil Corbould
28th Satellite Awards, 2023
Neil Corbould’s first job in Special Effects was in 1978 on ‘Superman The Movie’. This was followed by work on ‘Saturn 3’, ‘The Elephant Man’, ‘American Werewolf in London’, ‘Victor Victoria’, ‘Pink Floyd the Wall’ and ‘Amadeus’. In 1985, he started work on his first of three Bond films, as a technician on ‘A View to a Kill’ and ‘The Living Daylights’ and he was then given the opportunity of supervising the floor effects on ‘Licence to Kill’. From 1990 to 1996 he worked on many films that included ‘Highlander 2’, ‘City of Joy’, ‘Cliffhanger’, ‘Leon’ and ‘Muppet Treasure Island’.
In 1995 he started on ‘The Fifth Element’, which was his first film in the role of Supervisor for which he received a BAFTA award. He went on to supervise the science fiction thriller ‘Event Horizon’ which was followed by Steven Spielberg’s ‘Saving Private Ryan’, for which he received a second BAFTA award. This was followed by ‘Entrapment’ and the Ridley Scott epic ‘Gladiator’, for which he won his first Academy Award.
He also received double BAFTA nominations for ‘Gladiator’ and for ‘The Vertical Limit’ in the same year. This was followed by work on ‘The Mummy Returns’ and then a second collaboration with Ridley Scott on ‘Black Hawk Down’, which was filmed in Morocco.
In 2002, came Roland Emmerich’s ‘The Day After Tomorrow’ in Montreal, which earned him his third BAFTA award. ‘King Arthur’ and ‘Kingdom of Heaven’ followed and in 2005 he travelled to Australia to start work on ‘Superman Returns’. Supervising this film was a dream come true as Neil’s film adventure started on the original Superman movie. For the work on ‘Superman Returns’ the Special Effects team received both OSCAR and BAFTA nominations.
2020 Neil started his 2nd collaboration with Chris McQuarrie and Tom Cruise on Mission Impossible Dead Reckoning Part One. It was become one of his most demanding projects to work on based on the scale and the technical demands required for this amazing project.
Neil is in the early stages of producing and directing his first feature film ‘Billingsgate’ about female bare knuckle fighting in the 18th century London.
Neil’s company Neil Corbould Special Effects Ltd is one of the world’s leading special effects companies. The head office at Pinewood Studios and also has workshops and a base at Longcross Studios.
Ryan Tudhope
27th Satellite Awards, 2022
In his 25-year career, Ryan has contributed his talent to more than 50 features and episodic projects. He takes particular interest in the convergence of live-action stunts and visual effects; sophisticated and invisible work born from collaborations with directors, cinematographers, and physical departments. He combines this appreciation for “the real thing” with a deep understanding of digital effects, and strives for results that are grounded and persuasive. Ryan most recently served as overall Visual Effects Supervisor for Top Gun: Maverick.
Ryan is also an entrepreneur, having co-founded the visual effects studio Atomic Fiction. As CEO, he led the company’s growth to over 350 employees, where he oversaw projects such as Ad Astra, Blade Runner 2049, Deadpool, Pirates of the Caribbean, Ghost in the Shell, Game of Thrones, Star Trek Beyond, and Cosmos, which earned him an Emmy nomination. Deluxe acquired Atomic Fiction in 2018.
Before Atomic Fiction, his supervisor credits included Hellboy, Sin City, and Superman Returns, among others. He started his career at Lucasfilm’s Skywalker Ranch at the age of 18, working directly with George Lucas to design key sequences for Star Wars: Episode One.
He is a member of the Television Academy and the Academy of Motion Picture Arts and Sciences.
Joan Collins
26th Satellite Awards, 2021
A Producer, VFX Supervisor, and Projection Expert with 40 years of experience with VFX, CGI and interactive techniques. As an all-media content producer, she works with Large Feature-VFX, Immersive Experiences, Animation, Original-Content With Chain-Of-Title, Commercials, Virtual Sets, Human-Computer Interaction, Interactive Real-Time Entertainment, Mixed Reality, Mo-Cap, On-Set Compositing, Pod/Web-Cast, TV Broadcast, Real Time Live Performance & Musicals, Concert Tours, Sims, Streaming, Time-Based Phenomena and Virtual Reality.
After reading the definitive biography of Nikola Tesla by Marc J. Seifer PhD, she brought his story to life on a grand scale, partnering with West Coast Pictures LLC, Timothy Eaton and Dr. Marc Seifer, on a full spectrum IP slate of TESLA FILMS including a limited series, Tesla 2.0 Repli-Created, two VR features and a stage production of Tesla the Rock Opera.
Dick Pope
25th Annual Satellite Awards, 2020
This year the International Press Academy’s prestigious TESLA AWARD honoring Visionary Achievement in Filmmaking Technology will be presented to acclaimed British Cinematographer Dick Pope.
At 74, Pope continues to astound the critics, recently with Harry Macqueen’s Supernova, released in 2020, with many reviews noting the exceptional Cinematography. From a dramatic horror vampire film Reflecting Skin, to a charming Hindi comedy It’s a Wonderful Afterlife, to a sun-baked East Africa in The Boy Who Harnessed the Wind, to wintry streets of Manhattan in Motherless Brooklyn, Pope transforms different worlds to the big screen using the camera like the artistic palette of a painter.
Pope was nominated for an Academy Award in Cinematography for The Illusionist and Mr. Turner. He won a Satellite Award in Cinematography for Mr. Turner. He also received Golden Frog awards from the Camerimage festival, honoring the art of Cinematography for Secrets & Lies, Vera Drakeand a duo award shared with Mike Leigh.
Variety recently declared: “From the gritty realism of Mike Leigh to the mysterious Reflecting Skinand The Illusionist, Mr. Pope is one of the most underrated cameraman working right now.”
Joe Letteri
24th Annual Satellite Awards, 2019
Kevin Baillie
23rd Annual Satellite Awards, 2018
The International Press Academy will present its prestigious TESLA AWARD honoring Visionary Achievement in Filmmaking Technology to Kevin Baillie. A Visual Effects (VFX) Supervisor and entrepreneur, Baillie is recognized for his innovative approaches to story-driven VFX that blend invented techniques with emerging technology to support pioneering filmmakers.
Baillie’s feature film VFX career started at age 18, when he joined Lucasfilm’s JAK Films on Star Wars: Episode I. In the two decades following, he helmed VFX at The Orphanage on features including Pirates of the Caribbean: At World’s End, Night at the Museum, Superman Returns, Harry Potter and the Goblet of Fire and Hellboy. He supervised cutting-edge motion capture for features at ImageMovers Digital, and in 2010 co-founded the VFX studio Atomic Fiction, which was recently acquired by Deluxe/Method Studios. read more…
Robert Legato
22nd Annual Satellite Awards, 2017
This year’s International Press Academy’s prestigious TESLA AWARD honoring Visionary Achievement in Filmmaking Technology will be presented to Visual Effects visionary, Robert Legato.
For more than twenty years, Robert Legato has taken us on a visual journey from the far reaches of space in Ron Howard’s Apollo 13 to the depths of the ocean in James Cameron’s Titanic, to the stunning three-dimensional experience of Martin Scorsese’s Hugo to the magical world of Harry Potter and the Sorcerer’s Stone. And Legato would say that if he did it right no one would know he had anything to do with it. read more…
John Toll, ASC
21st Annual Satellite Awards, 2016
John Toll’s work spans across a wide array of genres, including science fiction, epic period pieces, drama and comedy. He worked as a camera operator on Norma Ray in 1978 and is one of the only four cinematographers to win back-to-back Academy Awards for ‘Best Cinematography.’ Toll’s recent work will set a new bar in the future of digital filmmaking with the use of Sony F65 cameras in 3D for Billy Lynn’s Long Halftime Walk. Not only is Toll being honored for his past works reflected in such classics as Legends of the Fall and Braveheart, but for his continuing innovations in filmmaking, such as with the Wachowski’s Sense 8.
Robert Rutherford and Jonathan Edward Miller (Hive Lighting)
20th Annual Satellite Awards, 2015
Hive Lighting, and company co-founders Robert Rutherford and Jonathan Edward Miller are guys behind “the completely flicker-free” plasma lighting. Plasma is the world’s most reliable high-speed light source; the process of super-heating the argon gas in each bulb requires cycles well beyond the frame rates currently possible with any high-speed camera.
Industrial Light & Magic (ILM)
19th Annual Satellite Awards, 2014
For 40 years, ILM has set the standard for visual effects, creating some of the most stunning images in the history of film. At the forefront of the digital revolution, ILM continues to break new ground in visual effects.
Founded in 1975 by George Lucas, ILM is the leading effects facility in the world, serving the motion picture, commercial production and attraction industries. ILM has created visual effects for over 300 feature films.
ILM has played a key role in 6 of the top 10 worldwide box office hits of all time and has contributed to twenty-five of the top fifty.
Garrett Brown
18th Annual Satellite Awards, 2013
Through an illustrious career spanning nearly five decades, Garrett Brown’s pioneering impact lies not in front of the camera but behind the scenes as a renowned cameraman and inventor. A visionary and creative genius, Brown invented and masterfully operated, the Oscar® winning Steadicam. In 1965, with the aid of books from the Philadelphia Free Library, he taught himself the mechanics of cinematography, and ultimately, to get rid of his 800 lb. camera dolly. Soon thereafter, Brown shot three films simultaneously, with his Steadicam, Bound for Glory, which won him an Oscar® for Best Cinematography; followed by the Academy Award winning Best Picture, Rocky and the Marathon Man.
Walter Murch
17th Annual Satellite Awards, 2012
Walter Murch created the epoch-shaping Oscar-winning sound design of “Apocalypse Now,” and is among a rarified few who have won Oscars in different categories in the same year. For “The English Patient,” he won Best Sound and Best Editing, among accolades from BAFTA. Murch has a role in film history as part of George Lucas’s early film “THX 1138,” as designer of its sound montage. Uniquely suited for the Tesla Award, he is currently editing “Particle Fever,” a feature documentary on CERN’s Large Hadron Collider and the search for the Higgs boson. Murch also published a seminal work on film editing, “In the Blink of an Eye.”
Douglas Trumbull
16th Annual Satellite Awards, 2011
Douglas Trumbull invented and developed the Showscan (Showscan CP-65 Camera) system of photographing and projecting 70mm film at 60 frames per second, projecting them onto giant screens. A self-styled inventor and entrepreneur, Trumbull received the Academy Award for Scientific and Technical Achievement, as well as the International Monitor Award and American Society of Cinematographers’ Lifetime Achievement Award for his outstanding contributions in the field of filmmaking. Trumbull directed Silent Running (1972), Brainstorm (1983) and numerous other special format films. Among his career highlights, Trumbull was one of the Special Photographic Effects Supervisors for 2001: A Space Odyssey (1968). He is currently involved in the evolution of directing live action production using virtual digital sets and electronic cinematography at 120 fps in 3D.
Robert A. Harris
15th Annual Satellite Awards, 2010
Robert A. Harris has worked with legendary directors like David Lean on the restoration of films such as “Lawrence of Arabia,” and, as a film preservationist and renown film historian. Harris, together with producing partner James C. Katz, has revitalized many modern classics from some of Hollywood’s legendary auteurs including Stanley Kubrick, with historical epic “Spartacus,” George Cukor’s beloved musical adaption “My Fair Lady,” and two of Alfred Hitchcock’s acclaimed masterpieces “Rear Window” and “Vertigo.” He is also a producer who, with Martin Scorsese, helped bring Stephen Frears’ “The Grifters” to the screen.
Roger Deakins
14th Annual Satellite Awards, 2009
Nominated seven times for the Academy Award for Best Cinematography, Roger Deakins’ creative influence behind the camera can be seen in the ‘emotional look’ of films ranging from “The Shawshank Redemption,” “Fargo,” Martin Scorsese’s “Kundun,” “O Brother Where Art Thou?,” Ron Howard’s “A Beautiful Mind,” and “Doubt.” In 2008, Deakins received two Oscar™ nominations in the same year for “No Country for Old Men” and “The Assassination of Jesse James by the Coward Robert Ford.” Most recently, he was Oscar-nominated for “True Grit,” the Coen Bros. remake.
Rick Baker
13th Annual Satellite Awards, 2008
Six-Time Oscar® winner Rick Baker, legendary make-up effects artist, has thrilled audiences with his innovative creatures for years. A master make-up artist and prosthetics inventor, Baker began his apprenticeship on “The Exorcist,” went on to films like “Star Wars,” Dino De Laurentiis’ “King Kong” to cult classic “An American Werewolf in London,” to “Men in Black,” and the B-List director biopic “Ed Wood.” In 2010 Rick Baker won his newest Oscar for “The Wolfman,” and continues to break barriers on creature effects.
Mr. Baker was presented the Tesla Award by one of his earliest collaborators, Director/Producer John Landis.
Dennis Muren
12th Annual Satellite Awards, 2007
Eight-time Oscar® winner Dennis Muren, ASC, a pioneer in V/FX is the first visual effects artist to have a Star on the Hollywood Walk of Fame. His work in films reflects a series of milestones that mark the history of visual effects achievements in the movies: “Star Wars,” “The Empire Strikes Back,” “Jurassic Park,” and even the flying bicycle sequence in “ET.” In “Terminator 2: Judgment Day,” Muren used computer digital rendering and compositing to create a menacing character. His work on the “T-1000” pushed morphing technology into the future. He recently worked on “Wall-E” and “Super 8.”
Richard Donner
11th Annual Satellite Awards, 2006
In 1976 Richard Donner directed the classic suspense thriller, “The Omen,” followed two years later by the definitive version of “Superman,” starring Christopher Reeve. With “Superman,” Donner raised the bar on the genre by insisting that the comic book superhero should be treated with authenticity and respect for the source material rather than as camp. “Superman,” also had the distinction of creating astonishing special effects that not only pre-dated contemporary computer-generated images, but often equaled or surpassed.
Stan Winston
10th Annual Satellite Awards, 2005
Special effects master Stan Winston created the monstrous extraterrestrials of “Aliens,” the fanciful character of “Edward Scissorhands,” the astounding dinosaurs of “Jurassic Park” and the frightening “Terminator” among other achievements. He won four Academy Awards and was nominated for 10, underscoring his groundbreaking contributions to cinema.
Jerry Lewis
9th Annual Satellite Awards, 2005
While iconic actor/comedian Jerry Lewis is known the world over as a brilliant artist and stalwart humanitarian, who raised billions of dollars for muscular dystrophy research through his annual telethons, few are aware of the depth and breadth of the entertainer’s technical achievements and contributions to the science of filmmaking. He was instrumental in introducing video-assist and video playback techniques, which have become industry standards.
James Cameron
8th Annual Satellite Awards, 2004
Canadian-born entertainment industry icon James Cameron credits early exposure to Stanley Kubrick’s “2001: A Space Odyssey” as the creative catalyst that launched a truly remarkable and technologically innovative career in the movie business. From “The Abyss” to “Terminator” to “AVATAR,” Cameron has made his mark in stand-out effects and 3D lens innovations.
George Lucas
7th Annual Satellite Awards, 2003 (first Tesla Honoree Awarded)
From “Star Wars” to the Indiana Jones chronicles, George Lucas continues to be instrumental in changing the viewer experiences and expectations of worldwide audiences. His impact on the entertainment industry began with “American Graffiti” to can be seen in projects as diverse as “Willow” to the animated version of “Star Wars: The Clone Wars” for television. Lucas received the first Tesla Award for a lifetime of visionary filmmaking achievement and his privately held company, LucasFilm, continues to expand frontiers in the cinematic arts.
